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Studio Portraits

Here are a few portraits I took with Diablo Valley College students, relatives, and friends (on film and on digital)

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The Series with my daughter

When I started photographing life with a kid with my Rolleiflex, my daughter was 3 years old, so she would not realize my photo taking or reluctantly cooperate. But as years passed, she has started to take an active, playful part in it, thinking of prompts and poses. We shot our first cooperative b&w studio series on film in November 2024, in an improvised home studio, with a wrinkled drape, a giant spider, old phones, and princess costumes of her choosing (see below).

The Attack of the Giant Spider

 

For this studio assignment, graded as final exam in my Studio Lightning Class of Fall 2025 (Diablo Valley College, with Nicole White), I knew I wanted to photograph my daughter but also photograph WITH her, like a photographer I admire (Andrew Rovenko). 

Even if I kept using vintage props, I wanted to tell a story. It has to be a bit wild – like a 7-year-old imagination-, amusing, suspenseful, conflictual (no story without conflicts), and be told without words – so it had to be very visual, like a Tarantino movie for kids. Images spontaneously came to my mind, without even overthinking them – I chose to follow that path. 

I imagined a small series of 8 black and white photos, with my daughter’s help, telling the story of a girl (dressed in 70’s clothes) whose car breaks out in the Western desert, giving a phone call for help, and making it to a gas station. Yet, there is a giant spider lurking in a corner – and it attacks her. She fights back with a sword (the story does not tell where she gets it from, which gives it, among other things, a surrealist twist – I have been inspired in that by the b&w surrealist photos from Lee Miller). Fortunately, the girl defeats the beast and can finally rest (I will recrate a Lee Miller photo with a mirror for that), like the heroin of the movie Kill Bill who cries in a bathroom after her epic struggles.

I shot the first series below on film (Rolleiflex + Nikon FM2), with Kodak Tri-X films. 

This second series below has been shot on digital with a Canon EOS.

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